SOC 249:
Native Nations of the US,
TR
10-11:50
OL 215
Fall 2006
DePauw
University
Professor Thomas Hall
Office: 106 Asbury, x4519, email: thall@depauw.edu
OFFICE HOURS:
TuTr 1-1:50; W 11-12; & by appt
First Reaction Paper
9-6-06
DUE in class THURSDAY,
September 21
Write a 4 to 5 page (1200-1800 word), typed, double-spaced, essay on ONE of the topics
below. Be sure to consult the general instructions, How to Write Essays for Professor
Hall.
Paper form: NO Cover pages or binders Name, course, paper, & topic in a top corner:
Your Name
Soc 249 F06
RP 1, TOPIC X, where X = topic letter
Page 1
If you do not know how to set running headers, you may write it in by hand!
References: For references to class texts you need only put author and page in parentheses
[e.g., "blah, blah, blah...." (Erdrich, p. 133)]. For references to material OUTSIDE OF
COURSE TEXTS use " blah, blah, blah,....." (Smith & Wesson 1938, p. 45) and a bibliography
at the end (NOT on a separate page (for more details on references see
Formats).
Remember: Essays are FORMAL exercises, no slang, no contractions, correct spelling
and grammar are required. In your FIRST draft, work at getting your ideas on paper. In your
SECOND draft, work on getting the argument in order. In your THIRD draft work on grammar,
spelling etc. Keep the introduction, BRIEF, get right to the point. Write it last!
*** NO Bibliography for course books ***
** Label Your Topic**
Note: the answer to "WHY" is the heart of each essay. That is, logic and evidence, not position on the issue, is the key factor. Try to think of arguments FOR & AGAINST your position, and state why those FOR it are more persuasive. To answer the why part you need to pull your own assessment out of what you have read. The answer is not "in the book on page xxx," rather, it is in your interpretation what you read. That is, these are thought questions, NOT research questions.
You are free to talk and discuss the topic with each other, but you must write your own essay.
Topic A: do the people portrayed in Louise Erdrich's Tracks resist assimilation into European culture? How? In what ways do they assimilate? What techniques do they use. How successful, in the long-run, do think they can be using these techniques, tactics, and strategies? [Be sure to specify what YOU mean by long-run].
Topic B: One of the ways that people form their
identities are in the ways the divide what is real from what is imaginary. While
some areas are clear, others are fuzzy. It is the fuzzy ones that can be
socially constructed. How do the people in Tracks make that division?
How does their division differ from conventional 21st century middle class
division? Is this
important to their identity as Indians? How? Why?
Topic C: How do the people portrayed in Louise Erdrich's
Tracks maintain and enhance their "Indian" identity? Which ones are conscious or purposeful, and
which ones just flow out the way they live their lives? How does religion
fit into Indian identity? What factors work to undermine their identity as
Indians? Why is maintenance of an Indian identity important to them?
An artist's conception of Misshipeshu, the water spirit/god/monster.

Drawing by Norval Morriseau, Chippewa Artist, from his Legends of My People, the Great Ojibway.Selwyn Dewdney, ed., 1965 Toronto: Ryerson Press, p. 29.
Send comments or questions to thall@depauw.edu
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